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Shauneille Perry (July 26, 1929 –) is an American stage director and playwright. She was one of the first African-American women to direct off-Broadway. ==Biography== Shauneille Perry was born on July 26, 1929, in Chicago, Illinois, to a prominent African-American family. She is the daughter of Graham T. Perry (1894–1960), one of the first African-American assistant attorneys-general for the State of Illinois and his wife, the former (Laura) Pearl Gant (1903–1957), one of the first African-American court reporters in Chicago. She is the niece by marriage of real-estate broker and political activist Carl Augustus Hansberry (who married her father's sister, Nannie Louise Perry) and his brother, Africanist scholar William Leo Hansberry. She is also the first cousin of playwright Lorraine Hansberry, Carl Hansberry's daughter.〔 〕〔 〕 Perry attended Howard University, where she was a member of the Howard Players under the direction of Owen Dodson.〔 In 1950, she received a B.A. in drama from Howard. Her studies followed at the Goodman Theatre Art Institute in Chicago, where she received an M.A. in directing. She also studied at the Royal Academy of Dramatic Art in London. In 1957, Perry married architect Donald Ryder in Chicago. Several months later, she received national exposure as the second place winner in the 1958 Picturama Contest, an essay competition sponsored by Ebony Magazine. She took advantage of the prize with her husband, which was a $4,000, three-week tour of Paris. By the end of the decade, the couple relocated to New York City, where it did not take long for her to establish herself as an actress.〔 〕 In the late 1950s and early 1960s, she acted in various productions on the New York stage including ''The Goose'' (1959), ''Dark of the Moon'' (1960), ''Talent '60'' (1960), ''Ondine'' (1961), ''Clandestine on the Morning Line'' (1961) and ''The Octoroon'' (1961).〔 Her work as Lilly Ruth, a pregnant girl in the short-lived off-Broadway production of ''Clandestine on the Morning Line'' received particular notice. Despite her success as a performer, Perry became disenchanted with acting and turned her focus toward writing, directing, and raising a family. "Got tired of acting," she once said, "it was too slow; too much business."〔 After Vinnette Carroll, Perry became one of the first African-American women to direct on the New York stage. One of her early efforts was ''Mau Mau Room,'' at the Negro Ensemble Company. It was the first major stage production of a play written by J. E. Franklin. In 1971, she staged three different productions: ''Rosalie Pritchett'', ''Sty of the Blind Pig'' and the original off-Broadway production of J. E. Franklin's play, Black Girl.〔 〕 The latter was made into a film, directed by Ossie Davis. In addition to directing, Perry has written several plays including the book of the children's musical ''Mio'', which she staged as a workshop production at the New Federal Theatre in the fall of 1971.〔 It was later staged (with a different director) at the Henry Street Settlement in New York City in 1978. Other plays she either wrote or co-wrote include ''Last Night, Night Before'' (1971), ''Daddy Goodness'' (1979), and ''Things of the Heart: Marian Anderson's Story'' (1981).〔 Perry has also written "Sounds of the City," a 15-minute daily soap opera that aired on the Mutual Black Network in the mid-1970s.〔 抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』 ■ウィキペディアで「Shauneille Perry」の詳細全文を読む スポンサード リンク
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